Abbot, H. Porter. The Cambridge Introduction to Narrative. 2nd ed., Cambridge University Press, 2002.

Barthes, Roland. “The Reality Effect.” 1969. The Rustle of Language, edited by François Wahl. Translated by Richard Howard, University of California Press, 1989, pp. 141-148.

Belsey, Catherine. Critical Practice. 2nd ed., Routledge, 2002.

Culler, Jonathan. Literary Theory: a very short introduction. Oxford University Press, 1997.

D’Angelo, Kathleen. “’To Make a Novel’: The Construction of a Critical Readership in Ian McEwan’s Atonement.” Studies in the Novel, no. 1, 2009, pp. 88-105.

Hale, Dorothy J., editor. The Novel: An Anthology of Criticism and Theory, 1900-2000. Blackwell Publishing, 2006. [Essays by Booth, Bhabha, Chatman, Bakhtin, Iser]

Hite, Molly. “Tonal Cues and Uncertain Values: Affect and Ethics in Mrs. Dalloway.” Narrative, no. 3, 2010, pp. 249-275.

Karavanta, Mina. “Toni Morrison’s A Mercy and the Counterwriting of Negative Communities: A Postnational Novel,” Modern Fiction Studies, no. 4, 2012, pp. 724-725.

McKeon, Michael, editor. Theory of the Novel: a historical approach. Johns Hopkins Press, 2000. [Essays by Robert, Frye, Culler, Levine, Armstrong, Moretti, Cohn, Woolf, Banfield, and Hutcheon]

Murfin, Ross and Ray, Supryia M. The Bedford Glossary of Critical and Literary Terms. 3rd ed., Bedford/St. Martin’s, 2009.

Newton, Judith Lowton. “Women, Power and Subversion” in Sense and Sensibility and Pride and Prejudice, edited by Robert Clark, St. Martin’s Press, 1994, pp. 119-144.

Warhol, Robyn. Gendered Interventions. Ohio State University Press, 1989,

Citation Examples:

From the OED:

“novel, n.” OED Online. Oxford University Press, June 2017. Web. 1 September 2017.

Example of an essay reprinted in an anthology:

Booth, Wayne C.,  “The Rhetoric of Fiction.” The Novel: An Anthology of Criticism and Theory, 1900-2000, edited by Dorothy J. Hale, Blackwell Publishing, 2006, pp. 154-183.